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0263 元/明初 龙泉窑青釉刻花卉纹凤尾尊 (一对)

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图片中的放大镜,支持鼠标滚轮缩放区域大小
图片中的放大镜,支持鼠标滚轮缩放区域大小

拍品信息

作者 -- 尺寸 高60cm×4.
作品分类 陶瓷>元代以前陶瓷 创作年代 元/明初
估价 HKD  800,000-1,200,000
成交价 登录后可查看
专场 中国古董瓷器及工艺精品 拍卖时间 2012-05-27
拍卖公司 Bonhams邦瀚斯拍卖行已开通官网 拍卖会 2012春季拍卖会
说明 The current lot shares many similarities with the Yuan dynasty Longquan celadon temple vase in the Sir Percival David collection, dated by inscription to 1327, illustrated by Rosemary Scott, Percival David Foundation of Chinese Art, London, 1989, pg.63, pl.51. The method of construction for both of these vases is also similar, with such large forms built on heavily-potted thick base to avoid cracking during firing. This is achieved by cutting a circular hole into the base of the vase before glazing and firing and placing the separate glazed ceramic disk over the hole inside the vase. During firing, the dish would float over the hole when the glaze was molten, and would then seal the hole as the glaze solidified during the cooling process. The unsealed hole allowed the base to expand and contract during the firing process, reducing stress in that area.
Compare a Ming dynasty example of a Longquan celadon trumpet neck vase with chrysanthemum decorations, sold at Christie’s Hong Kong, 30 November 2011, lot 3014; and another Yuan dynasty example of a Longquan celadon trumpet neck vase with moulded decorations sold at Sotheby’s Hong Kong, 5 October 2011, lot 1998. A similar Yuan dynasty example is also in the Qing court collection, see Monochrome Porcelain. The Complete Collection of the Treasures of the Palace Museum, Shanghai, 1999, pp.184-185, no.167.
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