雅昌首页
求购单(0) 消息
搜索

0125 LES VOILIERS À DEAUVILLE Oil on canvas

收藏
分享到:
图片中的放大镜,支持鼠标滚轮缩放区域大小
图片中的放大镜,支持鼠标滚轮缩放区域大小

拍品信息

作者 RAOUL DUFY 尺寸 65.4×81cm
作品分类 西画雕塑>油画 创作年代 暂无
估价 USD  400,000-600,000
成交价 登录后可查看
专场 印象派及现代艺术日拍 拍卖时间 2019-05-15
拍卖公司 纽约蘇富比有限公司 拍卖会 2019年5月拍卖会
出版
Pierre Courthion, Raoul Dufy, Geneva, 1951, illustrated pl. 115
Maurice Laffaille, Raoul Dufy, Catalogue raisonné de l’oeuvre peint, vol. II, Geneva, 1976, no. 846, illustrated p. 338 & in color p. 339
说明 WORKS FROM THE COLLECTION OF JOE R. & TERESA L. LONG
Signed Raoul Dufy (lower right)

参阅状况报告
重要拍卖通知

来源
Galerie Fabien Boulakia, Paris
Acquired from the above on April 6, 2000

相关资料
Born and raised in Le Havre, a port town in Normandy, Raoul Dufy left school to work as an inspector of foreign ships importing coffee from South America at age fourteen. Upon enrolling in Le Havre’s École des Beaux-Arts at eighteen, Dufy was introduced to the seascapes of Monet and Pissarro. Inspired by the Impressionist masters’ skill in depicting the sea and sky, the young Dufy chose to pursue a career in painting (see fig. 1).

While much indebted to the Impressionists, Dufy took cues from Cézanne and the Fauves to create flat depictions that relied less on the impact of light and more on the impact of color. Speaking on the Dufy brothers’ relationship to color, scholar Charles Sala notes, “Raoul and Jean were grounded in a sunny, Latin, Apollonian culture. Exploring the pleasures of seeing and of the solar spectrum, they reveled in the retinal delectation of colour... For the two brothers, colour spoke to the joy-inducing function of the retina, creating a luminous, immediate pleasure in which chromatic abundance obscures the subject just as it captivates the gaze” (Charles Sala, Raoul et Jean Dufy: Complicité et rupture, Paris, 2011, p. 38).
Les Voiliers à Deauville conveys a sense of stillness in the midst of a frenetic scene, in which the lines of opposing objects intersect and create a cohesive landscape where the sea is associated more with commerce than nature. The present work is a departure from more Fauve depictions of ships in Dufy’s early paintings (see fig. 2). This later period is distinguished by the distribution of light and color. By this time, Dufy had developed personal artistic principles, “I was spontaneously led towards what was to become my real preoccupation. I had discovered a system, whose theory was this: to follow the light of the sun is a waste of time. Light in painting is something completely different: it is light distributed throughout the composition, a ‘couleur-lumière’” (Dora Perez-Tibi, Dufy, Paris, 1989, pp. 23-24).

更多纽约蘇富比 其余拍卖专场

合作媒体机构

业务合作: 80480998-888/837 fyz@artron.net 责任编辑: 张天宇010-84599636-846 zty@artron.net

关于我们产品介绍人才招聘雅昌动态联系我们网站地图版权说明免责声明隐私权保护友情链接雅昌集团专家顾问法律顾问
  • 拍卖图录公众号
    拍卖图录公众号
  • 拍卖图录APP
    拍卖图录APP
返回顶部
意见反馈