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0151 ANVERS, BATEAUX SUR L’ESCAUT Oil on canvas

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图片中的放大镜,支持鼠标滚轮缩放区域大小
图片中的放大镜,支持鼠标滚轮缩放区域大小

拍品信息

作者 EUGENE BOUDIN(1824~1898) 尺寸 53.3×88.2cm
作品分类 西画雕塑>油画 创作年代 暂无
估价 USD  300,000-400,000
成交价 登录后可查看
专场 印象派及现代艺术日拍 拍卖时间 2019-05-15
拍卖公司 纽约蘇富比有限公司 拍卖会 2019年5月拍卖会
说明 WORKS FROM THE COLLECTION OF JOE R. & TERESA L. LONG
Signed E. Boudin., dated 72. and inscribed Anvers. (lower right)
Painted in Anvers in 1872.

参阅状况报告
重要拍卖通知

To be included in the supplement to the Boudin catalogue raisonné being prepared by Manuel Schmit.

来源
Galerie Montignac, Paris
Private Collection, Paris
Galerie Matignon Saint-Honoré, Paris
Acquired from the above on February 16, 2007

相关资料
Anvers, bateaux sur l’Escaut is an extraordinary example of Boudin’s free brushwork and uninhibited observation of contemporary life. The low horizon line in the present work allows for the expansive, overcast sky to rise above the ships, enabling Boudin to demonstrate his masterful technique for conveying the atmospheric effects of man interacting with nature. As Tristan Klingsor observes, “Where many painters only found a pretext for large surfaces of blue, opaque and dirty, Eugène Boudin astonishes us by a variety and an incomparable accuracy: for him each cloud has a physiognomy...to give us the impression of immensity and to hold our attention, allured by the innovation of a spectacle which every day we have under our eyes and which we had never seen” (“Un Précurseur de l’Impressionnisme: Eugène Boudin,”in La Nouvelle Revue, vol. 8, Paris, 1891, p. 262).

Painted in 1872, the present work captures one of the world’s great port cities, Antwerp. Boudin’s delicate brushwork was praised by his peers for its ability to encapsulate the ever-changing skies of the maritime city. He received effusive accolades from other artists, most notably Corot who famously hailed him the “King of the Sky” and Courbet who was moved to declare: “My God, you are a seraph, Boudin! You are the only one of us who really knows the sky” (quoted in Ruth L. Benjamin, Eugène Boudin, New York, 1937, p. 46). These skies inspired a new generation of painters, chief among them Claude Monet, to whom Boudin became a close friend and mentor. After observing Boudin paint for the first time, Monet declared: “Suddenly it was as if a veil had been torn from my eyes. I understood what painting could be. Boudin’s absorption in his work, and his independence, were enough to decide the entire future and development of my painting” (quoted in Peter C. Sutton, Boudin: Impressionist Marine Paintings (exhibition catalogue), Peabody Essex Museum, Salem, Massachusetts, 1991, p. 54).

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